Friday, June 19, 2015
Mad Max: Fury Road - Thoughts
Having recently watched the 1979 classic, I thought it would
be near impossible for the 2015 Mad Max:
Fury Road to come close. I would go as far as saying that my expectation
was that they’d botch it up, cause heck, the original Mad Max was a masterpiece. Interestingly, I was in for a surprise
yet again; and if you’ve read my Mad Max
review, you’d see that exceeding expectations is a commonality between these
movies.
The first departure from the current trend was that Fury Road isn’t a reboot; rather it just
serves as a continuation of the various adventures of the Max character. Intact
is much of the original glory, while keeping true to various aspects of the
previous installments in the series. Kicking things off with a brief intro, Max
is portrayed more as a troubled man living with the demons from his past,
versus an outright hero. The antagonist is a maniacal warlord, in an almost
godlike setting, which quite reminded me of the Stargate movie. Pacing is pretty much non-stop, and frantic, with
the bulk of the movie being one long non-stop chase. In keeping with the
creativity of the original, clans, battle tactics, and characters, are truly unique,
with the attackers on the poles being striking. The special effects are impressive,
with special mention to the sequence in the sandstorm. The war brigade is fascinating,
with a traveling music troupe as part of the crew, which just screams opulence
and craziness. It quickly reminded me of the war chants and craziness of the
Persian warlords of the past. Where it departs from the original, is its large
scale, massive action, and hero dynamics; by virtue of being a blockbuster, it has
a fictional feel. The uncanny coincidence between Max's wife, and Furiosa,
played by Charlize Theron is intriguing. Technically, picture detail was
fabulous, with incredible clarity. In
closing, though not a classic like the original, it’s certainly worth the
watch. So if you haven’t, consider checking it out, as its still playing in
most theaters.
Having seen both movies under an hour apart, one on DVD and
the next in the theater, perhaps the similarity and successes shouldn’t come as
a surprise. After all, the creator and director of the original, George Miller,
was at the helm of the 2015 Mad Max: Fury
Road. No wonder the creativity and continuity is intact, with an output
that is in line with the legend that is now Mad
Max.
My Recommendation: Watch
It + (Newer, Bigger, and just as Crazy as Mad Max ought to be)
Monday, June 8, 2015
Mad Max - Thoughts
Mad Max is one of
those movies I’d heard of growing up, but never had a chance to see, as it was
before my time. Being a cult classic, and perhaps the pioneer in
post-apocalyptic themed movies, it joined my watch list. The ironic part is me
finally watching it less than an hour before hitting the theatre for the 2015 Mad Max – Fury Road release. To the
unfamiliar, Mad Max is the story of a
highway law enforcer, set in a chaotic and desolate world of the future, taking
on a ruthless biker gang.
Being a really old movie, I had set my expectations fairly
low, because I figured that with time it would have lost its charm; but boy was
I wrong. Kicking things off with no introduction, audiences are thrown right into
the action from the get go. The visual and narrative style are raw, uncut, and
downright crude like the theme and setting of the movie. The world is portrayed
as desolate, where society has fallen, governments and order have failed, and
what remains are people who have lost all moral values. As the plot unfolded,
it was interesting to observe the brand of twisted humor that was woven into
the narrative. Though not obvious, with the heavy setting of the world in a
state of decay, with carnage and gore in many of the sequences, the comic elements help balance things and
make for a good viewing experience. Worth special mention is the theatrical
sense to the acting, and the overall presentation. Thanks to the attention
given to the various elements, be it the costumes and set design, the acting
and performances, or the editing and narrative exposure, Mad Max is in every sense a classic, and a genre defining movie.
All the jagged elements are masterfully aligned, to create an ensemble
presentation, that’s well paced, and has a long lasting, forever sorta feel. And
the best part yet, is that as much as this future is tragic and decadent, it
actually feels real, and somewhat plausible. Kudos to George Miller, the
creator and director, for the artsy legacy created in Mad Max.
Characters are similarly crude with rough edges, with several
stereotypes. You can’t but laugh with an antagonist named Toecutter, but then
again, when the violence is unleashed, it gets very real, very fast. In addition to the treacherous biker gang, all the nomad villains are pretty cut
throat and scary. Mel Gibson stars as Max, the title character. He is incredibly
young, and does a decent job; his sense of inexperience and immaturity, fitting
in well, as his character slowly evolves into a more heroic one.
The DVD I was watching was an India spec DVD, but it looked
like the content hadn’t been changed in any way from other international
releases. The presentation was decent, and though the picture looked dated, it
was clear, especially in the case of skin texture. Sound was a very primitive
Dolby 1.0; the center channel was sorely missed in the case of dialog, with the
overall sound levels being really low.
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